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Photography by Elena Seibert
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Hand coloring by Candy Kugel



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CHRONOLOGY
1983
Alan Goodman
& Fred Seibert
open a production and consulting company in New York City.

1988
Re-invented as America’s first advertising agency specializing in people under 35. Nominations and wins of every creative advertising award.

1989
Fred/Alan opens Chauncey Street Productions with producer Albie Hecht.

1992
Fred/Alan Closes.



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The Fred/Alan Archive is updated sporadically. It's mostly written by Fred Seibert, unless otherwise noted. Please blame him for all inaccuracies or embarrassments.

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N’awlins and Minnesota?


Fred/Alan IDs 1989 from fredseibert on Vimeo.

After Tom Pomposello introduced us to Fred Mogubgub’s pop-art style for the TV Heaven/Channel 41 station IDs, our creative department researched a series of ‘heaven’ quotations which would be read by actors for the animation soundtracks.

In another life Fred/Alan Managing Director Ed Levine (now a famous food writer) had co-produced two amazing records by New Orleans stylist Dr. John (real name Mac Rebennack) and had convinced him to play our annual holiday parties.  Ed reminded us Mac was singing commercials (for their big payday) and thought he might do us a favor and put one of the appropriate quotes to music to give the campaign a little flavor.

Session arrangements were made and Ed and our production team went over to the studio for what we thought we be a normal three hour session with Mac singing and playing solo piano. A little over an hour later they were back in the office doors. We were shocked and concerned they were back so fast; what had gone wrong?!

As often happens with magic talent at the right moment, nothing had gone wrong and everything had gone amazingly right. Mac had taken a look at the lyrics we’d prepared, with the syllables’ rhythm worked out perfectly, and come up with a melody that fit 10 seconds in about…10 seconds! He’d asked for other lyrics and we put everything we had in front of him whether they “worked” or not. One by one, with over a dozen set of lyrics, Mac ran them down in real time, and before our team knew it, he’d sung every word we had. All of a sudden we’d almost doubled our ID output, and with a N’awlins joie de vivre at that.

We eventually used visuals from all of our contributors — Fred Mogubgub, International Rocketship, Mark Karzen, Mark Beyer, and others from our agency creative team— with the unique soundtracks Dr. John provided us.

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